Recent philosophical tendencies of “Actor-Network Theory,” “Object-Oriented Ontology,” and “Speculative Realism” have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects—from Graham Harman and Alexander R. Galloway to Armen Avanessian and Patricia Falguières to Ed Atkins and Amie Siegel—to explore what the rewards and risks of assigning agency to objects may be, and how, or if, such new materialisms can be productive for making and thinking about art today.
Item Type:
Identification Number (DOI):
Additional Information:
Editors of 'Questionnaire on Materialisms': David Joselit, Carrie Lambert-Beatty, and Hal Foster
Publisher full text is used with permission.
October 115, pp.3-1110
Departments, Centres and Research Units:
Dates:
Date | Event |
---|---|
1 February 2016 | Published |
Item ID:
Date Deposited:
02 Oct 2017 10:19
Last Modified:
29 Apr 2020 16:37
Peer Reviewed:
Yes, this version has been peer-reviewed.
URI:
![]() | Edit Record (login required) |
Goldsmiths, University of London, New Cross, London, SE14 6NW, UK
Telephone: + 44 (0) 20 7919 7166 / Email: gro@gold.ac.uk
Goldsmiths Research Online supports OAI 2.0 with a base URL of https://research.gold.ac.uk/cgi/oai2
Copyright 2018 Goldsmiths, University of London.